Pete Hammond’s Final Oscar Predictions In All 23 Categories

4 hours ago 7

ARTICLE AD

And now for the final word on who will win the gold Sunday at the 97th Oscars.

Since Cannes in May I have been reviewing the movies, assessing their awards potential, predicting the Oscar nominations, and now finally here is my best and FINAL guess as to who and what will emerge triumphant in all 23 categories for the 2025 Academy Awards. So much has been written, so much has been talked about, and actually overall for me it has been a swell year for movies, at least good ones, or at the very least enough good ones to make this lineup of nominees for Oscars a deserving one.

Let me caution these are my predictions, some still shaky, but not necessarily what I might have voted for. In other words, this is not a wish list but rather a reflection of where the long and ever-unwinding road stood as Oscar balloting ended on February 18 at 5 p.m. PT, when the Academy called “pencils down” and the votes were in from its 9,945 eligible voters, or at least those who actually did vote. That is especially a big question only the Pricewaterhouse accountants who add up the digital ballots can answer in a year so hugely affected by the L.A. wildfires and complete devastation for so many, a lot of them Academy members. Pundits can pontificate all they want, but no one but a couple of bean counters knows the truth at this moment.

Here’s my best guess, but as I always say please don’t sue me if I am wrong and you lose your Oscar betting pool because you went with my hunches.

Carlo Allegri/Getty Images

Best Picture

THE NOMINEES

Anora (Alex Coco, Samantha Quan and Sean Baker, Producers)

The Brutalist (Nick Gordon, Brian Young, Andrew Morrison, D.J. Gugenheim and Brady Corbet, Producers)

A Complete Unknown (Fred Berger, James Mangold and Alex Heineman, Producers)

Conclave (Tessa Ross, Juliette Howell and Michael A. Jackman, Producers)

Dune: Part Two (Mary Parent, Cale Boyter, Tanya Lapointe and Denis Villeneuve, Producers)

Emilia Pérez (Pascal Caucheteux and Jacques Audiard, Producers)

I’m Still Here (Maria Carlota Bruno and Rodrigo Teixeira, Producers)

Nickel Boys (Dede Gardner, Jeremy Kleiner and Joslyn Barnes, Producers)

The Substance (Coralie Fargeat, Tim Bevan and Eric Fellner, Producers)

Wicked (Marc Platt, Producer)

The Academy uses a preferential voting system for only this category that is designed to produce a consensus win, either the most “liked” movie of the 10 nominees or the least “disliked.” Keep that in mind here. There really was no front-runner until a couple of weeks ago, where within the course of 24 hours Anora emerged with a triple crown of Critics Choice, PGA and DGA wins — all three among the most previously reliable indicators of where Oscar wins are blowing. Timing was everything as Oscar voting began just two days later and Anora grabbed all the headlines and the momentum. Although The Brutalist certainly has its admirers, not to mention 10 nominations, and late-breaker A Complete Unknown was well liked, only Conclave, which would go on to win the BAFTA Best Film Award and then after Oscar voting was over the often prescient SAG Outstanding Cast Award, seemed to have similar momentum and likeability despite the absence of a Directing nomination for Edward Berger. That fact didn’t hurt Argo, Green Book or CODA, which each went on to win three Oscars including Best Picture. This one is for me a toss-up, a virtual tie, with a good argument for both films to emerge victorious. I don’t recommend you go out on a limb here, but I will in a true nail-biter between Anora and Conclave.

THE WINNER: Conclave

Leading Actor

THE NOMINEES

Adrien Brody, The Brutalist

Timothée Chalamet, A Complete Unknown

Colman Domingo, Sing Sing

Ralph Fiennes, Conclave

Sebastian Stan, The Apprentice

Past winner Adrien Brody has been the presumed front-runner here winning at the Golden Globes, Critics Choice, and BAFTA before losing to Timothée Chalamet at SAG after Oscar voting had closed. Still, while the Actors branch is the biggest by far in the Academy and that SAG boost for Chalamet turned this back into a race, it may have been too late.

THE WINNER: Adrien Brody, The Brutalist

Leading Actress

THE NOMINEES

Cynthia Erivo, Wicked

Karla Sofía Gascón, Emilia Pérez

Mikey Madison, Anora

Demi Moore, The Substance

Fernanda Torres, I’m Still Here

Demi Moore’s signature turn as an aging fitness guru turning to a fountain-of-youth-style substance to stay relevant in an ageist business certainly hit a chord, as did her Golden Globe acceptance speech. Since then, she has added Critics Choice and SAG honors, but Mikey Madison has proven formidable in the last lap with BAFTA and Indie Spirit wins. Fernanda Torres is the wild card, a Golden Globe winner for Drama Actress in a movie that was being discovered just as voters started paying attention. Another toss-up here, but Moore’s veteran standing counts for something.

THE WINNER: Demi Moore, The Substance

Supporting Actor

THE NOMINEES

Yura Borisov, Anora

Kieran Culkin, A Real Pain

Edward Norton, A Complete Unknown

Guy Pearce, The Brutalist

Jeremy Strong, The Apprentice

All terrific performances, but Kieran Culkin has simply dominated every single precursor awards opportunity and there is absolutely no indication Oscar will be anything different. Take it to the bank.

THE WINNER: Kieran Culkin, A Real Pain

Supporting Actress

THE NOMINEES

Monica Barbaro, A Complete Unknown

Ariana Grande, Wicked

Felicity Jones, The Brutalist

Isabella Rossellini, Conclave

Zoe Saldaña, Emilia Pérez

Despite the bumps in the road for her movie, Zoe Saldaña — with what, like Culkin’s, is really a leading role — did it all in the movie and also, like Culkin, has not been defeated all season. She gets her hands on Oscar.

THE WINNER: Zoe Saldana, Emilia Pérez

Director

THE NOMINEES

Jacques Audiard, Emilia Pérez

Sean Baker, Anora

Brady Corbet, The Brutalist

Coralie Fargeat, The Substance

James Mangold, A Complete Unknown

Sean Baker started the warm-up for the season by winning none other than the Palme d’Or at Cannes. Most recently he won the DGA, and that almost always presages an Oscar win this category. Corbet could be a spoiler like he was at the Golden Globes, but don’t count on it.

THE WINNER: Sean Baker, Anora

Adapted Screenplay

THE NOMINEES

A Complete Unknown (Screenplay by James Mangold and Jay Cocks)

Conclave (Screenplay by Peter Straughan)

Emilia Pérez (Screenplay by Jacques Audiard; In collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi)

Nickel Boys (Screenplay by RaMell Ross & Joslyn Barnes)

Sing Sing (Screenplay by Clint Bentley, Greg Kwedar; Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield)

For some reason Peter Straughan’s magnificent Conclave adaptation was one of the many ineligible scripts at the WGA Awards where Nickel Boys eventually won. Straughan told me he has no idea why WGA nixed it, but his victories at Golden Globes, Critics Choice , BAFTA, and the USC Scripters are more than enough to assure the Oscar will be his as well.

THE WINNER: Conclave, Peter Straughan

Original Screenplay

THE NOMINEES

Anora (Written by Sean Baker)

The Brutalist (Written by Brady Corbet, Mona Fastvold)

A Real Pain (Written by Jesse Eisenberg)

September 5 (Written by Moritz Binder, Tim Fehlbaum; Co-Written by Alex David)

The Substance (Written by Coralie Fargeat)

A category with an embarrassment of riches, but despite some exceptions in Oscar history, it is safest to go with a film with a Best Picture nomination versus one without. Jesse Eisenberg’s well-liked A Real Pain, the surprise BAFTA winner in this category, isn’t up for Best Picture but could take this if Anora falters. That seems a bit of a long shot.

THE WINNER: Anora, Sean Baker

Animated Feature

THE NOMINEES

Flow (Gints Zilbalodis, Matīss Kaža, Ron Dyens and Gregory Zalcman)

Inside Out 2 (Kelsey Mann and Mark Nielsen)

Memoir of a Snail (Adam Elliot and Liz Kearney)

Wallace & Gromit: Vengeance Most Fowl (Nick Park, Merlin Crossingham and Richard Beek)

The Wild Robot (Chris Sanders and Jeff Hermann)

This category defines the richness of a truly great year in animation. Despite Inside Out 2 being the year’s highest-grossing film with $1.7 billion globally, and despite The Wild Robot being so highly praised and sweeping the Annies, the undercat here is Latvia’s wonderful Flow (also up for International Feature), charming audiences since Cannes and winning a boatload of awards itself. This one is also a toss-up, a David vs Goliath-style showdown. I am completely torn. Flip a coin.

THE WINNER: Flow

International Feature

THE NOMINEES

I’m Still Here (Brazil)

The Girl With the Needle (Denmark)

Emilia Pérez (France)

The Seed of the Sacred Fig (Germany)

Flow (Latvia)

Brazil’s I’m Still Here has really been surging and its Best Picture nomination is proof of that, but with 13 nominations across the board it might be hard to deny Jacques Audiard’s European Film Awards, BAFTA, Critics Choice, Golden Globe wins despite all that controversy. Unless France is completely jinxed it will be the country’s first winner since 1992 (!)

THE WINNER: Emilia Pérez

Documentary Feature

THE NOMINEES

Black Box Diaries (Shiori Ito, Eric Nyari and Hanna Aqvilin)

No Other Land (Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham)

Porcelain War (Brendan Bellomo, Slava Leontyev, Aniela Sidorska, Paula DuPre’ Pesman)

Soundtrack to a Coup d’Etat (Johan Grimonprez, Daan Milius and Rémi Grellety)

Sugarcane (Julian Brave NoiseCat, Emily Kassie and Kellen Quinn)

Lots of admirable choices here but my hunch says the combination of art and the war in Ukraine will have the edge.

THE WINNER: Porcelain War

Cinematography

THE NOMINEES

The Brutalist (Lol Crawley)

Dune: Part Two (Greig Fraser)

Emilia Pérez (Paul Guilhaume)

Maria (Ed Lachman)

Nosferatu (Jarin Blaschke)

Greig Fraser took the Oscar for Dune: Part One, the beloved Ed Lachman won at ASC for Maria, but BAFTA winner Crawley will likely prevail for The Brutalist in all its VistaVision glory.

THE WINNER: The Brutalist, Lol Crawley

Costume Design

THE NOMINEES

A Complete Unknown (Arianne Phillips)

Conclave (Lisy Christl)

Gladiator II (Janty Yates and Dave Crossman)

Nosferatu (Linda Muir)

Wicked (Paul Tazewell)

How can Wicked lose?

THE WINNER: Wicked, Paul Tazewell

Production Design

THE NOMINEES

The Brutalist (Production Design: Judy Becker; Set Decoration: Patricia Cuccia)

Conclave (Production Design: Suzie Davies; Set Decoration: Cynthia Sleiter)

Dune: Part Two (Production Design: Patrice Vermette; Set Decoration: Shane Vieau)

Nosferatu (Production Design: Craig Lathrop; Set Decoration: Beatrice Brentnerová)

Wicked (Production Design: Nathan Crowley; Set Decoration: Lee Sandales)

Goodness knows it is gonna be Wicked here too.

THE WINNER: Wicked, Nathan Crowley and Lee Sandales

Film Editing

THE NOMINEES

Anora (Sean Baker)

The Brutalist (David Jancso)

Conclave (Nick Emerson)

Emilia Pérez (Juliette Welfling)

Wicked (Myron Kerstein)

Each of these is also up for Best Picture and the winner here, as it often does, will tell us as much about that race as it does this one. Pay close attention if it is Anora, The Brutalist or Conclave. This is the category pundits will be awaiting the most Sunday.

THE WINNER: Conclave, Nick Emerson

Makeup and Hairstyling

THE NOMINEES

A Different Man (Mike Marino, David Presto and Crystal Jurado)

Emilia Pérez (Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini)

Nosferatu (David White, Traci Loader and Suzanne Stokes-Munton)

The Substance (Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli)

Wicked (Frances Hannon, Laura Blount and Sarah Nuth)

Remarkable work across the board here, but in my view this will be a bookend for Demi’s win as Best Actress.

THE WINNER: The Substance, Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli

Original Score

THE NOMINEES

The Brutalist (Daniel Blumberg)

Conclave (Volker Bertelmann)

Emilia Pérez (Clément Ducol and Camille)

Wicked (John Powell and Stephen Schwartz)

The Wild Robot (Kris Bowers)

Daniel Blumberg’s Brutalist score has the most buzz. Kris Bowers’ soaring The Wild Robot could be irresistible. The big question is do voters understand the Wicked nomination is for the score, not the songs, which are all from the Broadway show? It could be the spoiler here if voters simply vote for the most “musical” of the nominees. The safe bet is still Brutalist, but why not take a shot?

THE WINNER: Wicked, John Powell and Stephen Schwartz

Original Song

THE NOMINEES

“El Mal” from Emilia Pérez (Music by Clément Ducol and Camille; Lyric by Clément Ducol, Camille and Jacques Audiard)

“The Journey” from The Six Triple Eight (Music and Lyric by Diane Warren)

“Like a Bird” from Sing Sing (Music and Lyric by Abraham Alexander and Adrian Quesada)

“Mi Camino” from Emilia Pérez (Music and Lyric by Camille and Clément Ducol)

“Never Too Late” from Elton John: Never Too Late (Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin)

“Like a Bird” is a dark horse, Diane Warren‘s “The Journey” is her 16th nomination but songwriter names don’t appear on the ballot. The dazzling “El Mal” has been shown relentlessly in every appearance Zoe Saldaña has made, as well as in the trailer and TV spots. It will prevail.

THE WINNER: “El Mal” from Emilia Pérez, Music by Clément Ducol and Camille; Lyric by Clément Ducol, Camille and Jacques Audiard

Sound

THE NOMINEES

A Complete Unknown (Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco)

Dune: Part Two (Gareth John, Richard King, Ron Bartlett and Doug Hemphill)

Emilia Pérez (Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta)

Wicked (Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis)

The Wild Robot (Randy Thom, Brian Chumney, Gary A. Rizzo and Leff Lefferts)

Just a hunch that the CAS winner carries the day on the back of Bob Dylan and the complex work of the sound team.

THE WINNER: A Complete Unknown, Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco

Visual Effects

THE NOMINEES

Alien: Romulus (Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan)

Better Man (Luke Millar, David Clayton, Keith Herft and Peter Stubbs)

Dune: Part Two (Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer)

Kingdom of the Planet of the Apes (Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke)

Wicked (Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould)

If voters want to fawn over Wicked it will get the benefit of that here, but this should be a sure thing for the sequel to a past winner in the category.

THE WINNER: Dune: Part Two

Animated Short Film

THE NOMINEES

Beautiful Men (Nicolas Keppens and Brecht Van Elslande)

In the Shadow of the Cypress (Shirin Sohani and Hossein Molayemi)

Magic Candies (Daisuke Nishio and Takashi Washio)

Wander to Wonder (Nina Gantz and Stienette Bosklopper)

Yuck! (Loïc Espuche and Juliette Marquet)

A very international list. Wander to Wonder won BAFTA. I suspect voters will flock to the light, but I really have no idea.

THE WINNER: Yuck!, Loïc Espuche and Juliette Marquet

Documentary Short Film

THE NOMINEES

Death by Numbers (Kim A. Snyder and Janique L. Robillard)

I Am Ready, Warden (Smriti Mundhra and Maya Gnyp)

Incident (Bill Morrison and Jamie Kalven)

Instruments of a Beating Heart (Ema Ryan Yamazaki and Eric Nyari)

The Only Girl in the Orchestra (Molly O’Brien and Lisa Remington)

It depends on who actually takes the time to watch, but though Incident, the reconstruction of a 2018 Chicago police shooting, is the one I have heard talked about the most, Netflix’s ode to the life of a bass-playing female musician might be the ticket.

THE WINNER: The Only Girl In the Orchestra, Molly O’Brien and Lisa Remington

Live Action Short Film

THE NOMINEES

A Lien (Sam Cutler-Kreutz and David Cutler-Kreutz)

Anuja (Adam J. Graves and Suchitra Mattai)

I’m Not a Robot (Victoria Warmerdam and Trent)

The Last Ranger (Cindy Lee and Darwin Shaw)

The Man Who Could Not Remain Silent (Nebojša Slijepčević and Danijel Pek)

The Last Ranger about a young woman learning the dangers of poachers in Africa as she tries helping to protect Thandi the white rhino might just have the emotional pull to move voters.

THE WINNER: The Last Ranger, Cindy Lee and Darwin Shaw

Good luck to all. Reminder: Don’t sue me if you lose your pool.

Read Entire Article