True-Crime Series ‘Cabin In The Woods’, ‘The Real Murders On Elm Street’ & ‘How (Not) To Get Rid Of A Body’ Set At Investigation Discovery

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EXCLUSIVE: Investigation Discovery is preparing for more murders.

The cable network, which has found recent success with Quiet On Set, has set its September slate of true-crime docuseries. They are How (Not) To Get Rid of a Body, The Real Murders on Elm Street and Cabin in the Woods.

These are the latest projects for the Warner Bros. Discovery network, which recently set Michael Bay’s series Born Evil: The Serial Killer and the Savior over three nights in September, and renewed Octavia Spencer’s duo Lost Women and Feds.

How (Not) To Get Rid of a Body, which launches on September 4, explores the lengths killers have taken to get away with murder. Each episode reveals never-before-seen material and recounts tales of criminal masterminds who go to great lengths and efforts to concoct plans to dispose of their victims. However, the country’s top detectives are hellbent on solving these crimes and bringing them to light.

The series is produced by Blackfin, which is part of Lionsgate Alternative Television and is behind series such as Killer Inside: The Mind of Aaron Hernandez.

The Real Murders on Elm Street, with its nod to Wes Craven’s franchise, launches on September 9. The six-part series explores about small suburban towns across America that have been torn apart by murder. It asks how in a single night, these residential streets descend from peace and tranquility into horror, senseless death, and tragedy. Each episode will examine a murder investigation that occurred on one of the many Elm Streets across America.

The series is produced by Grandma’s House Entertainment, the company behind Catching Kelce, Let’s Get Physical and The Trust: A Game of Greed.

Finally, Cabin in the Woods also launches on September 9, explores crimes that take place in remote cabins around the country. It includes investigative elements in a true-crime-meets-true-horror fashion.

The series is produced by Blumhouse Television and ITV America’s Leftfield Pictures in association with Spring Theory.

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